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Koh Ker Rama statue returns to Cambodia

6 April 2016
in Cambodia
Tags: Angkor (kingdom)Denver Art MuseumKoh Ker (site)lootingPrasat Chen (temple)repatriationsculpture
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Koh Ker statue returns to Cambodia. Source: Cambodia Daily 20160329

Koh Ker statue returns to Cambodia. Source: Cambodia Daily 20160329

The last Koh Ker statue not in a private collection has finally been returned to Cambodia by the Denver Art Museum in a ceremony last month.

Koh Ker statue returns to Cambodia. Source: Cambodia Daily 20160329
Koh Ker statue returns to Cambodia. Source: Cambodia Daily 20160329

Pomp greets Rama statue’s return from US
Phnom Penh Post, 29 March 2016

Ancient Khmer Rama Statue Officially Received by Government
Cambodia Daily, 29 March 2016

US museum returns 10th century Khmer statue to Cambodia
AP, via Washington Post, 28 March 2016

US museum returns ancient Hindu god statue to Cambodia
BBC News, 28 March 2016

US Museum Returns Stolen Rama Statue
Cambodia Daily, 29 February 2016

Cambodian warrior comes home: Denver Art Museum returns Khmer statue
The Art Newspaper, 26 February 2016

Recently returned after 30 years in a US museum, a priceless Angkorian statue looted from war-torn Cambodia in the early 1970s was feted at the Council of Ministers yesterday.

The 1.6-metre-tall 10th-century Torso of Rama statue was returned by the Denver Art Museum after archaeologists from the Apsara Authority were able to prove that the artefact was looted from the Prasat Chen temple in Preah Vihear province, National Museum director Kong Vireak said yesterday.

The statue’s return, which actually took place in late February, was officially marked in a handover ceremony at the Council of Ministers yesterday morning.

Using forensic techniques, the archaeologists demonstrated that the statue, which is missing its head, arms and feet, was originally connected with a plinth found at the Koh Ker archaeological site, which was heavily looted during the civil war.

The Denver Art Museum had reportedly purchased the footless statue in 1986 from the Doris Weiner Gallery in New York.

Full story here.

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