• This week in Southeast Asian archaeology:⠀
We honor Dr. Eusebio Dizon’s enduring legacy, confront the auction of sacred Buddha relics, and celebrate Cambodia’s dazzling Angkor bronzes shining in Paris.⠀
Heritage, healing, and hard questions await.⠀
https://bit.ly/42Zz5ep
  • 🧱 This week in #SEAsiaArchaeology:⠀
🎨 4,000-year-old rock art in Mukdahan⠀
🪨 Sacred stele vandalized in Hội An⠀
📚 Miriam Stark on James Scott’s legacy⠀
From ochre to ontology—read the latest!⠀
 ⠀
https://bit.ly/3GgTjYh⠀
  • From Taiwan’s ocean floor to Myanmar’s quake-shaken soil—this week’s newsletter features Denisovan jawbones and newly unearthed Inwa-era ruins. Ancient stories resurface in the most unexpected ways. #southeastasianarchaeology⠀
⠀
https://bit.ly/4i7ZcUJ
  • Skulls under Bangkok, shattered temples in Myanmar, and AI mapping Angkor’s ancient waterscapes—just another week in Southeast Asian archaeology.⠀
⠀
https://bit.ly/4cpHZVJ
  • Eid Mubarak! 🌙 This week’s newsletter covers the powerful Myanmar quake felt as far as Bangkok, the return of looted Khmer artefacts to Cambodia, and more archaeological updates from across Southeast Asia. #southeastasianarchaeology⠀
⠀
https://bit.ly/3FOUqy3
  • Sunken ships in Vietnam, a hidden city beneath Thailand, and a newly protected stupa in Laos—this week’s Southeast Asian archaeology newsletter uncovers layers of history just beneath the surface. #southeastasianarchaeology⠀
⠀
https://bit.ly/4iW4T9n
  • Cebu Governor Garcia calls for the return of all looted church artifacts to restore the province
  • This week: Equinox at Angkor Wat lights up the skies, but shadows fall elsewhere—Boljoon’s stolen panels return, Bali battles temple theft, and a deep dive into the murky world of antiquities trafficking. #southeastasianarchaeology #freenewsletter

https://bit.ly/3Dy8paX
  • Cambodia restores Beng Mealea Temple
  • Tamil Nadu announces deep-sea excavation between Poompuhar and Nagapattinam to explore ancient Chola maritime heritage. #southeastasianarchaeology #India #CholaDynasty

https://bit.ly/4hDPwB4
Saturday, May 10, 2025
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Explore the 36,000-year-old Chauvet Cave through virtual cinema

8 May 2020
in Indonesia
Tags: Borneo (island)Chauvet CaveFranceGetty Conservation InstitutePalaeolithicrock artSulawesi (island)videovirtual reality
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The Final Passage - Chauvet Cave

The Final Passage - Chauvet Cave

Many of you would know that I have a keen interest in rock art, and so it is with great pleasure that I direct your attention to The Final Passage – a virtual and cinematic reconstruction of the Chauvet Painted Cave. This 28-minute film is screening free online until June 7, 2020.

The Final Passage is directed by Pascal Magontier, and produced by Martin Marquet and archaeologist Jean-Michel Geneste, the latter two whom I know through the Rock Art Network, a loose association of archaeologists, cultural heritage practitioners and institutions who have an interest in fostering the principles of research, conservation and promoting rock art.

My first encounter with the Rock Art Network was at a colloquium organised by the Getty Conservation Institute in Namibia in 2017. Last year I attended another colloquium organised in France and Spain, with site visits to the famous Lascaux and Altamira caves, and of course, Chauvet. These deep caves full of rock art were such an eye-opener; it was one thing to read about them in books and see their images online, but quite another to view in person.

Inside the Grotte Chauvet 2 replica

You can’t actually visit the real Chauvet Cave – the above photo is from the excellent Grotte Chauvet 2 museum, a recreation of the actual Chauvet Cave. It is an excellent example of a replica/reproduction museum, and there were times when I forgot I was in a building instead of an actual cave. I highly recommend visiting if you ever have the chance. It is such a breathtakingly well-done museum.

Entrance to the real Chauvet Cave

The real Chauvet Cave is closed to the public and has very, very restricted access in order to protect and preserve the climate in the cave. That makes The Final Passage all the more special, since it is an immersive experience that lets you feel like you were entering the real cave. The paintings at the Chauvet Cave are dated to 36,000 years ago and for the longest time they were thought to be the oldest forms of figurative art in the world. We know now that rock art from Sulawesi and Borneo is just as old, if not older, and so if the Chauvet Caves are worthy of Unesco recognition, we should think the same for the Indonesian caves. In the end, these examples of rock art go to show that the human capacity to paint and create is very old, and appears across the world from a very long time ago.

Members of the Rock Art Network in front of the real Chauvet Cave

The Final Passage is streaming free, online, from now until June 7, 2020. It’s only 28 minutes long, so check it out before it’s too late to see this unique cave. I highly recommend dimming all the lights and watching the video with a pair of headphones for the best viewing experience. If you are interested in finding out more about the Rock Art Network, click here; you can also check out my section on the rock art of Southeast Asia to find out about the immense number of rock art in this region. Unlike the European versions, Southeast Asian rock art is rarely (if at all) located in deep caves, but most commonly found in shallow rock shelters, cliff faces and large boulders or rock formations.

Rhinoceros panel from the Chauvet Cave

View the Final Passage here.

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