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Discoveries from Sanxingdui point to possible connections to Southeast Asia

30 March 2021
in Peripheral Southeast Asia
Tags: bronzeChinagoldmaskSanxingdui (site)Sichuan (province)trade and communication networks
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Finds from Sanxingdui. Source: Global Times 20210320

Finds from Sanxingdui. Source: Global Times 20210320

via Global Times, 20 March 2021 and other sources: The remarkable finds from the Sanxingdui site in Sichuan Province, China, reveal an advanced pre-Qin civilisation, and some of the artefacts have been observed to be similar to those along the Yangtze River and Southeast Asia, suggesting some sort of communication.

For further reading (affiliate links): The Sanxingdui Site-Mysterious Masks of the Ancient Shu Kingdom by the Sanxingdui Museum and Ancient Sichuan: Treasures from a Lost Kingdom by Robert Bagley.

Six more ancient sacrificial pits and more than 500 relics dating back to about 3,000 years have been unearthed at the renowned Sanxingdui Ruins site in Southwest China’s Sichuan Province, the National Cultural Heritage Administration announced in Chengdu on Saturday.

“It has been confirmed that Sanxingdui Ruins site is the oldest site of pre-Qin period (pre-221 BC) in the upper reaches of the Yangtze River,” according to Lei Yu, head of the excavation team at the Sanxingdui site. Experts believe that the new findings at the site will shed more light on the ancient Shu civilization and its link to the civilization of the Chinese nation.

Among the relics, there are pieces of exquisite gold masks, gold foil, bronze masks, bronze sacred trees, ivories, ivory products and jade.

Source: Gold mask among 500 relics found in prehistoric Sanxingdui Ruins; discoveries to shed light on China’s cultural origin | Global Times

See also:

  • Treasures from mystery civilisation could rewrite history of China | South China Morning Post
  • Sanxingdui: Discoveries From a 3,000-Year-Old Civilization | Sixth Tone, 23 Mar 2021
  • 3,000-Year-Old Gold Mask, Silk Linked to Enigmatic Civilization Found in China | Smithsonian, 23 Mar 2021

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